When Phil Myers asked me to compose a cadenza for his Mozart French Horn concerto performances with the New York Philharmonic my joy lead me immediately to the most important question of the commission: in what style and which tonal world should this cadenza live?
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While these FILM CUES can be licensed individually it might be interesting to note that they were all devised and composed for a CONTEMPORARY WESTERN film PROJECT. Thus, when they are all licensed they can provide the material for one film.
Read more →While these FILM CUES can be licensed individually it might be interesting to note that they were all devised and composed for a CONTEMPORARY WESTERN film PROJECT. Thus, when they are all licensed they can provide the material for one film.
Read more →While these FILM CUES can be licensed individually it might be interesting to note that they were all devised and composed for a CONTEMPORARY WESTERN film PROJECT. Thus, when they are all licensed they can provide the material for one film.
Read more →While these FILM CUES can be licensed individually it might be interesting to note that they were all devised and composed for a CONTEMPORARY WESTERN film PROJECT. Thus, when they are all licensed they can provide the material for one film.
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