Presently, this composition presents a unique opportunity for the presenter of a chamber music group or series to collaborate with the composer to design an entirely new production for the concert hall.
Read more →Presently, this composition presents a unique opportunity for the presenter of a chamber music group or series to collaborate with the composer to design an entirely new production for the concert hall.
Read more →Presently, this composition presents a unique opportunity for the presenter of a chamber music group or series to collaborate with the composer to design an entirely new production for the concert hall.
Read more →Presently, this composition presents a unique opportunity for the presenter of a chamber music group or series to collaborate with the composer to design an entirely new production for the concert hall.
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When Phil Myers asked me to compose a cadenza for his Mozart French Horn concerto performances with the New York Philharmonic my joy lead me immediately to the most important question of the commission: in what style and which tonal world should this cadenza live?
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